PHILLY FIRST BLOSSOM FRONT

Citybillies, it’s confession time.

The rumors are true.  I’ve sold out.

Jon Spruce has officially signed on the dotted line.

For two years now, I have meticulously and courageously hunted down and archived the kingdom of Philly trees but, behind the scenes, hidden from view, I’ve been bombarded and assaulted with endless requests for sponsorship.

Landscape crews and tree services, nurseries and greenhouses, fertilizer companies and seed catalogs, you name it.  Non-profits and charities, all good causes.  Philadelphia institutions like Aramark and Tastykake, Sunoco, Comcast, Action News and Lew Blum Towing, all knocking down my door.

All asking for a piece of the pie.

For the last two years, I’ve always had the same response.

Hold the gravy.

Until now.

I’ve finally found something that I can hang my hat on.

Citybillies, it’s hanami time and there’s no better way to spend it than participating in the Subaru™ Cherry Blossom Festival of Greater Philadelphia.

What is hanami?  It means flower viewing in Japanese and it refers to the annual blossoming of the cherry blossoms, the sakura.

This event is so anticipated that even the Japanese Meteorological Agency tracks and charts the sakura blooms throughout the whole island.

They call it the sakura zazen, loosely translated as the cherry blossom front.

According to the map, the sakura are currently flowering in the southern part of the island, blazing their way from Kagoshima through the old capital of Kyoto and, by the end of April, they will have reached the northern tip of the Aomori Prefecture, land of apples and wild horses.

Some people call it the pink tide.

I long to see it in person.

Hanami has been on the calendar for centuries now, observed and celebrated by emperors and farmers, royalty and peasants, city rats and country mice alike…

…immortalized throughout the ages by songsters, dancers, poets and painters, including the great 18th-century printmaker Katsushika Hokusai…

…who famously depicted the brief sakura in the foreground of Japan’s most exalted marvel…

…the ephemeral floating world of early spring balanced against the immovable permanence of Mount Fuji itself.

Now that’s my kind of yin-yang.

Here in Philadelphia, we’re less than one week away from our own hanami.

Hold on to your hats, citybillies, and get on up!  The sakura are marching, cherry blossoms about to set the city on fire. 

In anticipation of the event, I floated over to the Shofuso Japanese House…

…and then to the nearby cherry tree avenue that connects the House to the Mann Music Center.

I’m getting nervous.

Less than a week away from the big bash and the guest of honor is hardly making a peep.

Just my luck.

PHILLY FALL & THE FERNHILL FRUIT

Now, where was I?

That’s right, it’s autumn here in Philadelphia.

Now, how does that quote go again, the one about autumn?  Think, Jon Spruce.  Who was it again?

That’s right, it was Albert Camus, the French philosopher.  Now, he was an absurdist but don’t worry, Donny, there’s nothing to be afraid of.

Every now and then, even an absurdist is worth listening to.

Autumn is a second spring when every leaf’s a flower.

Zut alors!  He was right.

Season of the tawny dawn, season of the rustic twilight, the brisk walk…

…the green world’s final curtain call.

Now, Jon Spruce, pay attention.

This is how it turns.  This is how it falls.

MEMENTO MORI ME

I grew up in this house.

This isn’t a particularly original thought but, boy, it sure looks a lot smaller than I remember. 

It just seems too small to house all those memories, all those holidays, all those meals, all those toys and all those birthdays…and it doesn’t look big enough to contain the big family that used to call it home…one happy couple, one beatnik sister and five rambunctious boys, including one future champion tree-hunter.

It’s also missing some trees.

There used to be larger roses and more evergreen shrubs guarding the walkway to the front door.  There used to be a dwarf pear tree and a rose of sharon on the driveway side of the house.

On the other side of the house, there used to be a sour cherry tree. 

At the end of long summer days, I would cool down under the sour cherry tree with the Lippincott brothers and we would throw our pits over the fence into the neighbor’s in-ground pool, sorry about that.

I found an old photo of the house and that’s when I remembered another tree, now missing…

…that tall Norway spruce rubbing up against the side of my childhood home.

These are the trees of my past…the trees of yore…the phantom trees that can no longer be found except in old photographs and fading memories…happy Memorial Day, citybillies.

Contrary to popular belief, trees do go missing.  I wish they wouldn’t move around so much but they do.  They come and then they go.

Philadelphia, too, is haunted by its own host of missing trees, none more famous than the Great Elm of Shackamaxon.

THE PENN TREATY

Shackamaxon was the name of the Lenape village located right here along the Delaware River within the borders of the Philadelphia charter, in the neighborhoods currently called Port Richmond and Fishtown.

According to a few histories, Shackamaxon was the capital of the Lenape nation and the seat of power for the chief of the Turtle Clan.

In the village of Shackamaxon, there was a great elm.

THE CAVE OF KELPIUS

Citybillies, the rumors are true. 

It’s confession time.  About a week ago, I gave in to the holiday spirit and dressed up in costume.

Why would I do such a thing?  Well, I mean, the list of reasons isn’t anything out of the ordinary.  Friends, women, chocolate and wine.  Good friends and outgoing women.  Free chocolate.  Lots of wine…and just a basic, thirsty yen for society.

Hey, it happens.

But listen.

This wouldn’t be just some cheap costume picked off the racks.

If I was going to dress up, then I would spend Hallowe’en, not in costume, but in embodiment…walking in someone else’s shoes…seeing the world through the eyes of another….and nothing to do with chocolate or candy or nougat or taffy…this would be about nature’s candy…my favorite seasonal fruit…a change of season in every crunch.

I spent Hallowe’en dressed up as one of my favorite figures in all of Turtle Island’s long, storybook history…one of the greatest farmers that ever put seed to dirt…the man behind the myth…one of those weird, wonderful, whimsical, virtuous madmen that lurk in the margins of the history textbooks…the one and only John Chapman.

All right.  Fine.

Johnny Appleseed.

ERASERHOOD

People are always asking me: Hey, Jon Spruce, will you come to my Hallowe’en party?

Thanks for the invitation, ladies, but I always pass.  Hallowe’en?  It’s not for me.  I’m waiting…I’m biding my time until the holiday returns to its true and native harvest roots.

I’m waiting until it becomes horrible once again.

Don’t get me wrong.  I like horror, I really do…which is why I’m patiently sitting out of the festivities until it becomes the kind of party it used to be…All Hallow’s Eve…or, in its original Celtic tongue, Samhain, meaning summer’s end.

It used to really be something…the end of the harvest and the beginning of the dark days of winter…when the cattle and sheep and goats were led from the pastures back to the barns and stables and fenced lots…a time of slaughter…a time of haystack making…when the summer fields were ignited into bonfires…a celebration of the autumn crop of rye and barley, apples, pears, quince, gourds and pumpkins…not this sugar-coated day of plastic spiders and fake cobwebs and mass-produced scarecrows, silly office parties serving candy corn and pumpkin-flavored cupcakes.

Where’s the horror in all that?

And costumes? 

I look the other way.  Seeing people on the bus or behind their desks in costumes?  It used to infuriate me.  Now, it just makes me sad.

Why?  Because back in the Samhain days of Hallowe’en, those costumes didn’t win you a free candy bar or a free round of drinks…those costumes saved your life.

During the good old Samhain days, it was once told, the quickening nightfalls and the early moons triggered the opening of doors…secret portals and foggy gateways that revealed the Otherworld, that sister-universe running parallel to ours.  Drawn by the light of the bonfires and the smell of the slaughter, the population of the Otherworld would pass through these doors and walk amongst us. 

Donning hideous masks?  That was the only way we could assimilate into the ghostly parade of spirits, demons, monsters and boogermans. 

So, thanks for the invitation but I’m out.  I’m waiting.  I guess I just like my horror the old fashioned way…which is why I went down to pay my yearly respects to the master of macabre himself…to the Edgar Allan Poe House located at 8th and Spring Garden.

MY COUNTRY, TIS OF TREE

Happy Independence Day, Philadelphia and all of its trees.  I’ll try to take a break from all that Original People mumbo-jumbo and spend a day celebrating the totems of the United States of America.

The national animal?  The bald eagle, although a case could be made for other native animals: the beaver, the bison, the shad, the crayfish, the painted turtle or the moose.

The national flower?  The rose.  That’s a little disappointing.  There are a lot of reasons why it could be the marigold, the dandelion, the prairie rose, the yucca flower or actually the sunflower, one of the few flowers native only to this Turtle Island.

The national tree?  Officially the oak.  Another disappointment.  How about something very specialized to America, something akin to Turtle Island: the sequoia, the tulip poplar, the ponderosa pine, the southern live oak, the Joshua tree, the bristlecone pine or the saguaro cactus?

Well, you can’t say I didn’t try. 

And the national colors?  The red, white and blue?  I don’t know.  Maybe it’s just that we’re in the heart of the Strong Sun Moon, but I am enchanted and bedazzled by so many more colors than just those three.

There is no scientific basis for the following statement but I am going to say it anyway: it takes a real strong sun and a real high heat to brew all that summer color.  The first colors of the year are usually white, red, yellow and, of course, green…but, by the time we get to the Strong Sun Moon, we get the oranges, the blues and the purples, plus all the different shades and blushes of the original colors: the pinks, the crimsons and the jades.  In the summer, we go all the way around the color wheel. 

I believe, just on a gut instinct, that it simply takes longer for the trees and plants to produce those complicated colors than it does the reds and whites and greens.  But, like I said, I have no basis to believe that it’s true.

Except for my own eyes, of course.  Here is a typical farmstand in the very beginning of the Hardy Zone Seven growing season, mid-May:

And here are some farmstands in the heart of the Strong Sun Moon:

 

 

It’s just a theory but I’m saying that it takes more time, more sun and more heat to make all that color.   Although, come to think of it, the rainbow swiss chard kind of destroys that theory. 

Well, you can’t say I didn’t try.  Let’s move on.  Let’s go downtown to historical Philadelphia, see what the trees are doing over there.