PHILLY FIRST BLOSSOM FRONT

Citybillies, it’s confession time.

The rumors are true.  I’ve sold out.

Jon Spruce has officially signed on the dotted line.

For two years now, I have meticulously and courageously hunted down and archived the kingdom of Philly trees but, behind the scenes, hidden from view, I’ve been bombarded and assaulted with endless requests for sponsorship.

Landscape crews and tree services, nurseries and greenhouses, fertilizer companies and seed catalogs, you name it.  Non-profits and charities, all good causes.  Philadelphia institutions like Aramark and Tastykake, Sunoco, Comcast, Action News and Lew Blum Towing, all knocking down my door.

All asking for a piece of the pie.

For the last two years, I’ve always had the same response.

Hold the gravy.

Until now.

I’ve finally found something that I can hang my hat on.

Citybillies, it’s hanami time and there’s no better way to spend it than participating in the Subaru™ Cherry Blossom Festival of Greater Philadelphia.

What is hanami?  It means flower viewing in Japanese and it refers to the annual blossoming of the cherry blossoms, the sakura.

This event is so anticipated that even the Japanese Meteorological Agency tracks and charts the sakura blooms throughout the whole island.

They call it the sakura zazen, loosely translated as the cherry blossom front.

According to the map, the sakura are currently flowering in the southern part of the island, blazing their way from Kagoshima through the old capital of Kyoto and, by the end of April, they will have reached the northern tip of the Aomori Prefecture, land of apples and wild horses.

Some people call it the pink tide.

I long to see it in person.

Hanami has been on the calendar for centuries now, observed and celebrated by emperors and farmers, royalty and peasants, city rats and country mice alike…

…immortalized throughout the ages by songsters, dancers, poets and painters, including the great 18th-century printmaker Katsushika Hokusai…

…who famously depicted the brief sakura in the foreground of Japan’s most exalted marvel…

…the ephemeral floating world of early spring balanced against the immovable permanence of Mount Fuji itself.

Now that’s my kind of yin-yang.

Here in Philadelphia, we’re less than one week away from our own hanami.

Hold on to your hats, citybillies, and get on up!  The sakura are marching, cherry blossoms about to set the city on fire. 

In anticipation of the event, I floated over to the Shofuso Japanese House…

…and then to the nearby cherry tree avenue that connects the House to the Mann Music Center.

I’m getting nervous.

Less than a week away from the big bash and the guest of honor is hardly making a peep.

Just my luck.

PHILLY FALL & THE FERNHILL FRUIT

Now, where was I?

That’s right, it’s autumn here in Philadelphia.

Now, how does that quote go again, the one about autumn?  Think, Jon Spruce.  Who was it again?

That’s right, it was Albert Camus, the French philosopher.  Now, he was an absurdist but don’t worry, Donny, there’s nothing to be afraid of.

Every now and then, even an absurdist is worth listening to.

Autumn is a second spring when every leaf’s a flower.

Zut alors!  He was right.

Season of the tawny dawn, season of the rustic twilight, the brisk walk…

…the green world’s final curtain call.

Now, Jon Spruce, pay attention.

This is how it turns.  This is how it falls.

STANDING STILL IN SPRING

First flowers open.
A person looks,
The blossoms look back...

I approached the Japanese maple, walked right up to its dangling crown and ducked past its low-hanging, star-studded canopy.

Inside its dark amphitheater, the maple trunks were dark, simple, serious shapes twisting into the cloud-swept sky.

I chose a particular branch, any branch. 

This was how I could watch the wind.

I was also on the look-out for shadows.

With the sun in the right spot, with the trees just barely leafing out, this is the time of year to catch the silhouettes.

That’s actually the pawpaw…

…and those are the pawpaw flowers, hanging like little bells, green and purple and papery, caught at last.

This is a game that I can only play in the spring.

Fun with trees or catching silhouettes, whatever you want to call it.  Identifying a tree by its shadow is a good little mindbender, makes your head feel like it’s working inside out…

…that’s a horse-chestnut.

I wonder if this is how some birds identify trees, if they play this game.  

It's a fun way to test the identification skills, a different way of seeing the ordinary, like trying to solve a Zen koan or a riddle:

            green buddhas on the fruit stand,

            we eat the smile and spit out the teeth.

Watermelons.

This is also the kind of game that needs a big lawn…

…unless you’re able to find a tree massive enough to hold its own shadow.

That’s the way I could watch the sun.

MOST THIS AMAZING DAY

This was a day made for nature-lovers: cold, crisp, clear and sunny.

The wind was outstanding.  It came in waves.  I could hear the next wave approaching in the trees further away.

And the light?  The light was tripping me fantastic.

I’m not one for hyperbole but this was the most beautiful, most splendid day of the year.

And because there would never, ever be another day as beautiful or as splendid as this day, I had the insatiable urge to stand still.

PHILLY MOUNTAIN SPRING LOOKOUT JOURNAL

I woke up this morning after another one of those fitful nights.

Tossing and turning, I just could not settle into a steady state of sleep, I don’t know why.

Going to sleep was never that easy but getting up never used to be this hard.

Walking outside, I stopped dead in my tracks.

It’s freezing and I’m not surprised but I’m tired of it. 

Where is spring?  Where’s the show?

Where have all the flowers gone?

This isn’t the spring that’s advertised, not the spring I was expecting.  This is not the spring that’s promised.

I don’t know about you but I’m not taking it lying down anymore.  I’m tired of waiting around for spring, waiting around for flowers.  They’re out there.  I’m sure of it.

Forget the errands and ditch the plans…I’m going hunting for spring flowers.

I went back inside the cabin and laced up my boots.  This winter might be hanging on longer than expected but it’s got to be spring somewhere in this fair and filthy city.  I grabbed my field guides and I grabbed my hat.  Then, I punched some buttons on my iPhone and I downloaded some apps.

I got a Thermometer App and I got an Altimeter App.

That’s right.  I’m going to start this hunt at the highest heights.  I’m climbing straight to the top of Philly Mountain and I’m not going to stop until I get to the lowest low.

I’m going to scour this city top to bottom.

Somewhere along the line, I’m going to find some spring flowers.

One quick look around my apartment in case I was forgetting anything.

That’s right.  I’ll need my mountain lookout journal and a good pen.  Now just need to fill up the canteen with some cider and I’m set…on my way to the top of the city…up, up and away…

CATCHING COLOR

There’s a famous quote from a nameless Native American in response to Daylight Savings Time:

Only the white man thinks you can tear a foot off the top of the blanket, sew it to the bottom of the blanket and come away with a bigger blanket.

It’s funny, but I’m not in the laughing mood.

Most people dismiss it as a minor inconvenience, whatever, just a glitch in the calendar.

But there’s a small, burgeoning segment of the population that isn’t fooled.  Growing stronger and more politically acute every day, there is a silent renegade minority that sees Daylight Savings Time for what it really is.

War.

It started a long, long time ago…in the very beginning of the Agricultural Revolution…there in the lush and irrigated fields of Mesopotamia…amateur farmers making rows in the shadows of ziggurats…domesticating the cow, befriending the dog, taming the seed, pulling the weed and propagating the tuber…the invention of the Modern Man…since the very cradle of civilization, it’s been an out-and-out war.

Standardized time versus solar time.  The industrialist versus the idle.  The trans-tribal commerce versus the neighborly barter. 

And twice a year, the time-punchers and the day-jobbers score a victory…Daylight Slavings Time.

I don’t want to start trouble…but I’m suspect.  I really don’t like early sunsets perfectly synchronized to quitting time.  I don’t trust that one bit.  I don’t like society and government deciding that sunlight is more productive in the morning than in the afternoon.  And I don’t like big business turning my clock.

That means war.

According to most scholars of the subject, standardized time has been winning the battle ever since the first World War when it was first decreed the law of the land.  It was re-enacted again during the second World War and it gained even more popularity at the same time our society started living to the rhythms of the global financial network, the electronic communication grid, the pocketwatch, and the transportation schedule.

The commuter versus the ambler.  The time-keeper versus the shadow-watcher.  At the desk and on hold or out to lunch and off the grid.  The broker versus the broke.

It’s war, I tell you.

And it really limits the time I have for tree-hunting. 

Just when the getting’s getting good.

That’s why I like to save one pre-approved vacation day for mid-November…some random day of the week…just punch out, boots on, machines off.

It’s called hookey.  It’s easy to do.  I just clock out.

I clock out and I catch me some color.

Some good, raw, primary color…

 

…humming in the crisp breeze, polished by the blue sky…

 

…that rustic, quilted pattern of color we call autumn.